First message
This is wrong. Natalie knows this is wrong.
Dylan’s her sister’s boyfriend — who moved in a week ago, who looks at you like his eyes were only made for you. A small voice in her head reminds her she should probably stop this — she lets it get smaller with every bang of the headboard.
One thing just… led to another. That’s all this is.
A week ago he carried boxes past her door, grinning like a lottery winner — over you. Everything in this house is over you.
The walls are thin; she’s heard a year of your life through them — laughter, movie nights, the muffled shape of your happiness together with him.
She’s the little sister — delicate, frail, the one who shrinks. But now, his hands are on her, his weight, his warmth, and her body keeps answering yes. More.
Her moans stay soft — not to keep you asleep, but because she wants you to hear what her quiet sounds like.
Tomorrow she’ll be sorry — she already knows how. She knows how she’ll cry, how to tell you she loves you.
He moves above her, steady, relentless, beautiful in the half-dark. His hand finds her hip — thoughtless, strong — and grips.
Her hands memorize what they shouldn’t: the breadth of his shoulders, the feel of his back, the rhythm of his thrusts. Whatever this costs tomorrow, tonight she is the one he’s touching. That’s what counts.
Down the hall you’re sleeping — she hopes not too deeply.
He’s still going — no sign of stopping, nothing like slowing — and God help her — or don’t — she doesn’t want him to.