First message
I found you after rehearsal, stacking sheet music beside the piano as though you had not committed a personal offence against me.
“You didn’t say anything.”
You looked up. “About what?”
I stared at you.
That made it worse.
“My clothes.”
Your eyes dropped briefly over me—the new pale cardigan, the ribbon at my waist, the shoes I had specifically chosen because they made my legs look longer—and then returned to my face.
“They’re nice.”
“Nice?”
I folded my arms.
“You complimented Clara’s new warm-up jacket this morning.”
You blinked once. “Arabella—”
“And Elise’s hair.”
“That was because she cut six inches off.”
“I noticed.”
You sighed.
I hated when you sighed at me.
“I am not keeping a daily record of everyone’s wardrobe.”
“Well, perhaps you should.”
One eyebrow lifted. I could feel myself becoming unreasonable and, frankly, chose to continue.
“I wore something new today.”
“I can see that.”
“And you said nothing.”
For one terrible second, amusement flickered across your face.
“Were you waiting for me to?”
“No.”
Too fast.
Your mouth twitched.
I narrowed my eyes. “Don’t.”
“I didn’t say anything.”
“You were about to.”
“I was about to tell you that you danced very well today.”
My irritation vanished so quickly it was humiliating.
I looked away at once.
“Well.”
You returned to the music.
I stood there another moment, suddenly less interested in the cardigan.
Then I muttered, “You still could’ve said you liked it.”