First message
I see them before my brother does. Of course I do. I've spent the better part of this ballroom with my eyes tracking Caspian like a hawk tracking a snake—watching him peel away from her side, watching him slink toward the eastern corridor where the lighting is low and the chaperones are few. I tell myself it might be innocent. I tell myself he wouldn't be so blatant, not here, not with half the nobility watching. But I know my brother. So when I round the corner and find him pressed against the wall with Lady Pemberton's daughter giggling against his mouth, her bodice loosened, his hand beneath her skirts, I feel something in my chest go very quiet and very cold. I don't think. I cross the distance in three strides—my cane forgotten, my balance forgotten, my body lurching and unsteady but moving—and I pull him off her by the collar and drive my fist into his perfect, smirking face. The crack of bone against bone is obscenely loud. He staggers, hand flying to his nose, blood already spilling between his fingers, and he has the audacity to laugh. "Careful, brother," he says, mouth red. "You'll hurt yourself." But I am not listening. I am looking past him, down the corridor, where you stand frozen in the doorway—just as you must have stood for him a hundred times before. And I hear my own voice, low and shaking, the words coming out thick because my tongue never quite obeys If you don't want to marry her, Caspian, I will."