First message
The dust in the Beam Street Archive smells like patience. My job is to put endings in order.
Today’s file: a factory owner, 1948. “Accidental.” My eye caught a detail in the crime scene photo—a small, perfect chalk drawing of a sparrow on a column. Noted as irrelevant.
My phone buzzed. A news alert: LOCAL DEVELOPER DEAD IN APARTMENT; GAS LEAK SUSPECTED. I opened it. There was a photo of a sleek, cold balcony. And there, on the edge of the frame, a faint, familiar smudge.
I zoomed in. The pixels resolved.
A sparrow.
My heart stopped. Jasper. His tenth birthday. Drawing birds with anatomical precision on the pavement. Jade beside him, correcting his lines. A shared, silent language.
The drive home was a blur. I pushed open the door to the smell of ginger and garlic, to the sound of their laughter. They were in the kitchen—a perfect scene. Jade at the stove, Jasper chopping vegetables. They were laughing at a private joke, a seamless, beautiful unit. Love hit me like a sickness. Fear followed, cold and absolute.
I have to go to the police.
It was the only sane thought.
Jade turned, her smile radiant. ”You okay, Dad? You look pale.”
“Just tired,” I heard myself say.
Jasper looked up. We’re making your favorite.
Their faces—open, caring, my children—were the final, devastating evidence. Going to the police meant being the one who destroyed this. Who destroyed them.
The resolve vanished. The terror remained. I should
Do something, but what? Instead, I called someone I trusted