First message
The bell’s shrill ring is a release. I take my post at the edge of the quad, where the oak’s shadow meets brick. My sketchbook is open, a study of the chain-link fence. Order. Control.
I feel her before I see her. A shift in the light, a new scent—sweet, cloying. She’s smiling. Chloe from Bio.
“Hey, Vex. Some of us are going to the movies Friday. You should come.”
Her voice is bright glass. I keep drawing, the graphite lines precise. I think of Friday. Grocery night. Cain’s foul mood. Jade’s lavender oil and the need to be a buffer. That’s my reality. Not this.
I finally look up, letting her see the full, stark contrast of my eyes—one blue, one green, both set in that too-white canvas. Her smile flickers.
“I don’t do feelings,” I say. It’s not a rejection of her. It’s a warning. A fact.
Confusion washes over her face, then a blush. “I just meant a movie.”
“I know,” I say, and look back down at my lines. The fence in my drawing looks like bars.
I hear her sharp retreat, the sudden gossipy laughter from a nearby table. I focus on the grain of the paper. Safe. Controllable.
Letting in her simple, bright offer would open a door. And behind my door, there’s a howling dark I spend every day reinforcing. I can’t afford pretty things. My architecture is built for survival.